The DS-D4012CW-2F is Hikvision's fine-pitch indoor cabinet for rooms where people sit close to the screen. At a 1.25 mm pixel pitch the image stays clean from roughly a metre and a half away, which is why this class of panel ends up in control rooms, executive boardrooms and broadcast studios rather than on a shop wall.
The DS-D4215FI-CGFB belongs to Hikvision's CGF cabinet family, built around one idea: a cabinet narrow enough to fit where a conventional 500 × 500 panel cannot. At 750 × 250 mm it slots into shop fascias, the strip above a retail aisle, and the header band over a mall entrance — the shapes that fixed square cabinets force you to compromise on.
The CGFC shares the CGF family's 250 mm cabinet height but runs a full metre wide. On a long horizontal banner that difference is structural: a ten-metre strip needs ten CGFC cabinets instead of fourteen CGFB units, which means fewer vertical seams, fewer fixing points, and a shorter installation day.
Where the narrower CGF cabinets solve awkward shapes, the CGFF solves area. Each cabinet covers half a square metre at 1,000 × 500 mm, so a 6 × 3 metre lobby wall is thirty-six cabinets rather than the ninety-six it would take in the 750 × 250 format. Fewer units means fewer seams to align and a measurably shorter commissioning.
The DS-D4226FI-CGFB is the same physical cabinet as the P1.5 CGFB — 750 × 250 mm, 4.59 kg, front-serviced, die-cast aluminium — with a 2.6 mm pixel pitch instead of 1.56 mm. That single change moves the panel to a different job.
For a long advertising band viewed from a distance, the CGFC in 2.6 mm is the most economical cabinet in the CGF range per running metre. A full metre of width per cabinet keeps the unit count low, and the coarser pitch keeps the price per square metre well below the fine-pitch variants — without any visible penalty at the distances this kind of banner is actually read from.
The DS-D4025CS-1F is built around a 4:3 cabinet rather than the usual 16:9 panel, which is why it suits retail walls, reception counters and showroom columns where the wall is taller than it is wide. Modules connect without cables, so a technician assembles a run faster and has fewer connection points to troubleshoot later. The cabinet uses a standard C13 power inlet, so replacement cords are available anywhere in the Kingdom
DS-D4025CS-1F/M — P2.5 Spare LED Module
DS-D4415FI-CKF — P1.5 Indoor LED Cabinet with Redundancy
DS-D4215FI-CWF — P1.5 Cabinet for Dot-by-Dot 1080p
DS-D4218FI-CWF — P1.8 Cabinet for Larger Walls on a Smaller Electrical Load
The DS-D4239RO-CQ is built for screens that go up on Thursday and come down on Saturday. It belongs to Hikvision's CQ rental line, where the engineering priority is not the last percent of image quality but how fast a crew can assemble, curve and strike a wall without damaging it.
Where the rental CQ cabinet is designed to be taken down, the DS-D4239CF-1AAB is designed to stay up. It is a fixed-installation outdoor cabinet in a 500 × 1,000 mm portrait format, which maps naturally onto building facades, vertical totems and freestanding pylon signs rather than onto square billboard shapes.
The DS-D4266CO-2APA is a large-format outdoor cabinet for surfaces read from the road. At 6.67 mm pitch and 22,500 dots per square metre it is not built for close inspection — it is built to stay legible at 6,500 nits under direct sun, which is the specification that actually decides whether a roadside screen works in Riyadh in July.
The DS-D42A0CO-2APA sits at the far end of the outdoor range: a 10 mm pixel pitch at 10,000 dots per square metre, intended for billboards and large-format signs where the audience is far enough away that finer pixels would be invisible and simply more expensive. On a screen read from twenty metres or more, P10 and P6.6 look identical — but the P10 wall costs materially less per square metre and draws less power per pixel delivered.
